DREAM EXPLAINS HOW A MAN HURT A WOMAN BADLY, BUT SHE ENDURED THE PAIN, USED IT AS BUILDING BRICKS TO ENLIGHTEN HIM & GAIN AUTHORITY

2-27-20-MOVING-BIG PACKS-OZEE N AHAHA

        First, I’m with a male & we’re visiting a house.  Is it my Aunt & Uncle’s house?—but bigger, like their house plus something more like the old farmhouse & my house combined.  It’s old; it has two or three stories.

        (THIS GOES BACK TO THE PAST WHERE YOU & A MALE COMPANION – THE OLD JOHN BEFORE ENLIGHTENMENT – WERE PUNISHED.  YOU WERE BOTH SUFFERING WHILE YOU WERE TOGETHER.)

         We’ve been visiting here & enjoying ourselves but I confess to my male companion, who is subordinate to me, that I miss being home.  It might have just been a week here, but it feels like a month.  I think about home & how I long for it.

        (YOU LONG FOR HOME, WHICH IS WHERE YOUR HEART IS, WHICH MEANS PEACE, HAPPINESS, CONTENTMENT.

         QUESTION:  SINCE THIS IS A HOUSE OF PAIN, WHY AM I ENJOYING MYSELF?

        MOMGOD:  YOU THOUGHT YOU WERE.  YOUR MIND WAS ON THE EARTHLY PLANE ‘HAVING A GOOD TIME’ GOING TO THE BARS & PARTYING, BUT YOU WERE NOT DEEPLY HAPPY, THE KIND THAT COMES WITH BEING INTIMATE WITH GOD.)

        We are permitted to take all our belongings with us.  We pile up bag after bag.  But I’m sneaky & want to take something away without permission from the lady who owns this house, not sure if she’ll allow me.  I think I’ll conceal the booty.  I put it in a tall regular paper bag with her framed pictures on top.

 

        (HERE WE CAN TAKE CERTAIN THINGS FROM THIS EXPERIENCE BUT I FEAR ASKING MOTHER GOD, WHO OWNS THIS HOUSE OR STATE—SHE IS THE AUTHORITY OVER ALL—FOR SOMETHING I’M NOT SURE ABOUT.

I HIDE WHAT I’M TAKING UNDER MY DEVOTION TO HER.  BUT IT’S A FLIMSY PACKAGE BEING INSIDE OF PAPER.)  

 

        But she looks at the pictures, & then sees the booty below.  What is it?--Red bricks.  Now knowing how heavy bricks are, why on earth would I want to take them from here?  We have to carry our bags from here, I don’t even know if we have a vehicle.  The bricks remind me of the ones I gathered after my handyman took apart the indoor chimney—I put them underneath trees, one of them solid like a decoration.  They were scorched black on one side.

         (RED BRICKS, SCORCHED ON ONE SIDE.  THIS IS THE ‘BUILDING BLOCKS’ OF THE RELATIONSHIP JOHN & I HAD-RED IS PAIN, SCORCHED IS BURNED OR PAINFUL.  ‘ON ONE SIDE’ WELL, YOU WERE THE ONE THAT WAS HURT—HE TREATED YOU BADLY.  AND THE BRICKS ARE THE BUILDING BLOCKS OR WHAT THE RELATIONSHIP WAS MADE OF.  FOR YOU THERE WAS A LOT OF PAIN.

 

        BUT YOU USED THIS PAIN SOMEHOW, FOR GOOD.  PUTTING IT ‘UNDER TREES’ – TREES ARE SYMBOLS OF LIFE, SOMETIMES LONGEVITY, NOT LIKE PLANTS.  SOME TREES HAVE BEEN ALIVE SINCE THE TIME OF CHRIST 2,000 YEARS AGO.)

        The lady who owns the house, owns the bricks, the bag is right under her chin when she discovers them.  She isn’t mad, just slightly surprised, it’s not like I’m stealing anything of value.

 

        (THERE IS A MESSAGE HERE APARENTLY.  LET GO OF THE PAIN INFLICTED ON YOU, DON’T TAKE IT WITH YOU TO THE NEW RELATIONSHIP.  YOU DON’T NEED IT, IT’S OVER, FORGET THE PAIN.  THE PAIN LED TO THE NEW LIFE, IT’S OVER.)

        Then after this episode, I find myself in another place, sort of farther, more opportunities, more beautiful.  It turns out, after a while, this is the home of a good friend of mine, a great Guru named Ozee.  There’s many other people around, & once again, my male companion & I are visiting.

 

        (I SUSPECT THIS IS YOUR LOVER JOHN, WHO HAS IMPROVED GREATLY & THIS SAYS IS NOW ENLIGHTENED.

SINCE HE’S ‘SEEN THE LIGHT’ THE RELATIONSHIP WILL BE COMPLETELY DIFFERENT.  THE OLD JOHN IS SOMEHOW STILL CARTED ALONG WITH YOU – HE S IN YOUR MIND.  BUT THE NEW JOHN IS CALLED GURU OZEE, A NEW MAN.  HE’S BEEN TRANSFORMED)

 

        We are outside & there’s a body of water, quite large, peaceful, no big waves, the sun is shining on the water, it sparkles.  Ozee takes this large branch with green leaves all over it.  It’s sparse, you can see through it.  I would say it’s at least 10’ long & maybe 7-8’ wide, spread out—it isn’t heavy.

        (“I AM THE VINE, YOU ARE THE BRANCHES.” 

        THIS IS JOHN’S NEW LIFE & IMAGE, HE’S NOW BEAUTIFUL.  BRANCH IS PART OF GOD, LEAVES ARE VICTORY.  HE DECLARES HIS VICTORY BY HOLDING THIS BRANCH IN FRONT OF HIM.

         WATER IS GRACE, NO WAVES IS PEACE.  SUN SHINING & SPARKLING OVER THE WATER IS HAPPINESS IN GOD, THE TRUE HAPPINESS, NOT THE KIND YOU HAD IN THE BEGINNING OF THE DREAM WHERE YOUR FLESH PARTIED BUT YOUR SOUL WAS IN TORMENT.)

        

 

        I am on a hill looking down, about 30’ away,  Ozee takes the branch & holds it in front of him, where he looks really beautiful.  I say this to him,

        “Wow, do you look good that way.  I’d like to take some pictures of you, maybe naked…….{he looks uncertain about the naked part} & I add ‘If Ahaha gives permission.’

        What troubled me is that he just dropped the branch, let it fall into the shallow water & walked away with his male friends.  I wanted that branch for him to pose with.  Could we get it in time, before it floated away?

 

        (IT SEEMS JOHN, AS THE NEW MAN, HAS RECEIVED ENLIGHTENMENT ESPECIALLY REGARDING OUR RELATIONSHIP, BUT IS NOT HOLDING ON TO IT.  HE’S HAD A RELAPSE OR IS ‘BACKSLIDING’, WENT OFF WITH THE MALE FRIENDS AS HE ALWAYS DID IN THE PAST – {ACTING OUT HIS SHALLOW THOUGHTS & FEELINGS.  WHAT HE USED TO CALL ‘HAVING FUN.}

 

        THIS IS A CLUE THAT JOHN/OZEE STILL HAS A PROBLEM—HE’S NOT READY TO BE WITH ME.  THE NAKEDNESS REFERS TO BEING OPEN & THEREFORE VULNERABLE.  HE’S HAVING DOUBTS ABOUT OPENING HIS HEART, SURRENDERING HIMSELF TO ME IN A GENUINE RELATIONSHIP.  HE GOT THE GRACE OR THE LIGHT, THE SPIRITUAL UNDERSTANDING, BUT FOR NOW, HE ISN’T COOPERATING OR ACTING UPON IT & REVERTING TO HIS IMMATURE BACHELOR DAYS.)   

 

        Ahaha is his Guru wife – we’re friends, I really like her.  I am totally respectful of her.  Although I like Ozee very much I would not do anything inappropriate with him as she is his wife.

       (AHAHA IS MY LOWER SELF, THE BODY.  THIS IS THE NEW RELATIONSHIP I HAVE WITH MY FLESH.  THE DREAMER IS THE GOD SELF.  WE USED TO BE IN CONFLICT, BUT THE FLESH SURRENDERED TO ME & SAID, ‘NOT MY WILL, THY WILL BE DONE.’

        AT THAT POINT WE ENTERED NONDUALITY & ONCE MORE, AS IN THE PAST, MERGED INTO ONE.

        IT IS WITH MY CONSENT THAT SHE CAN NOW HAVE HER WAY WITH JOHN—I DEFER TO HER, I PERMIT HER, I RESPECT HER.  {When she was rebellious I threatened her.})

         Then a moment after that we’re standing in a room on the second floor, which is circular with windows {reminds me of Waccabuc} & a black shiny Mercedes with nice silver wheels is pulling up – it’s Ahaha.  ‘She has class’ I think, driving a car like that.

        She gets out, looks mellow.  I guess we can now ask her about the pictures.

         (WACCABUC IS EVERYTHING POSH & SUBLIME.  THE WIFE AHAHA ARRIVES, WE ARE IN DEFERENCE TO HER—SHE WILL DECIDE ABOUT THE ‘NAKED PICTURES’ WHICH IS A CLUE THAT SHE WILL DECIDE WHEN TO RESUME THE RELATIONSHIP, BUT IN THE NEW PROPER WAY.

        THE CIRCULAR WINDOWS IS VISION ALL AROUND, A WIDE PERSPECTIVE, NOT NARROW VISION THAT SEES IN PART, THIS SEES A BIG PICTURE.

         AHAHA ARRIVES IN A BLACK SHINY MERCEDES WITH SILVER WHEELS.  THIS BLACK IS NOT THAT OF DEPRESSION, SHE IS MELLOW.  SHE IS NO LONGER JEALOUS.  BLACK MIGHT MEAN ‘UNKNOWN’ WHICH IS IT IS UNKNOWN TO US WHEN SHE RESUMES THE RELATIONSHIP—IT’S IN HER HANDS, OZEE IS AT HER MERCY & I DEFER TO HER. 

 

        THE SILVER WHEELS ARE THE PERMANENT RELATIONSHIP, MARRIAGE.

HER BEING MELLOW IS SHE IS NO LONGER JEALOUS OR ANXIOUS, SHE HAS ASCENDED FROM BEING HIS VICTIM TO BEING HIS AUTHORITY.)

……………………………………………………………..

 

SYMBOLS WITHIN THIS DREAM:

AUNT & UNCLE’S HOUSE:  punishment, pain, suffering {cry Uncle}

HOME:  Place of security, contentment, safety, comfort, peace, happiness.  ‘Home is where the heart is.’

 

HOUSE:  State of mind, consciousness.  Could be one’s own or someone else’s.  Could be in the past or present, the way it was, the way it is.

BRICKS, red, scorched black on one side:  The old relationship where I suffered & was ‘burned.’  These were the ‘building blocks’ of the relationship because I endured the pain & built upon it {put the bricks under trees in real life}—the way Jesus & his followers benefited from the Cross—the Cross was like a throne – from there Jesus vanquished Satan, his demons, his lies, the sinful world, & liberated us.

 

In this dream, permission was not asked to take the bricks onward.  It is saying drop the pain, it did it’s work, you’re free, don’t carry it inside—it’s a heavy burden.

TREES:  Life, long life.  Some trees existing now were alive during the time of Christ.

 

WATER, body of:  Grace of God, Holy Spirit.

BRANCH, large, many leaves:  Part of God, connected to God, ‘I am the vine, you are the branches.  Leaves are victory or success.  ‘Crowned with laurel leaves.’  They threw down palm leaves, branches, at the feet of Jesus on his donkey—this honored him as their spiritual leader.

 

NAKED:  Without pretense, sans mask or costume.  Open, vulnerable.

GURU OZEE:  The old John who has gotten new light, he’s now informed or Enlightened.

GURU AHAHA:  His wife, the authority over him.

 WINDOWS, circular, along a circular wall:   A wide vision & understanding.  Seeing is believing.  Windows of opportunity.

WACCABUC:  A posh, classy, old-money neighborhood {in real life} I used to visit, an earthly Valhalla to me.  This would be a wonderful consciousness.

 

 

MERCEDES BENZ, shiny black, silver wheels:  The wheels give it away—it’s what the wife is using as her vehicle, it’s her way of getting some place.  The silver represents the permanent relationship, marriage.  The shiny black is not depression in this context, it’s the unknown.  It is unknown to us when she will decide to resume the relationship – we are both in her hands.  Ozee has to wait on her will, I have deferred to it.  It says she is ‘mellow’ which means she’s at peace, has no anxiety or jealousy.  She’s at the place of authority.