Chapter 3 I STRIP FOR GOD Part 6
Larry Williams & Johnny ‘Guitar’ Watson written
Larry
Williams & Johnny ‘Guitar’ Watson were working as a team at a club in
I got a girl {he sang ‘gal’} named Bony
Moronie
She's as skinny as a stick of macaroni.
Ought to see her rock and roll with her blue jeans on.
She's not very fat, just skin and bone.
But I love her and she loves me.
We're all happy now as we can be.
Making love underneath the apple tree.
Well, I told her mama and her papa too
Just exactly what I want to do.
I want to get married on a night in June,
And rock and roll by the light of the silvery moon.
'Cause I love her and she loves me,
We're all happy now as we can be.
Making love underneath the apple tree.
She's my one and only, she's my heart's desire.
She's a real upsetter, she's a real live wire.
Everybody turns when my baby goes by.
She's something to see, she really catches the eye.
I love her and she loves me,
We're all happy now, as we can be.
Making love underneath the apple tree.
Source: Musixmatch
Songwriters: Larry Williams
Bony Moronie (Digitally Remastered)
lyrics © Nelchell Music Co.
Looking at his Wikipedia, there’s a lot about other
songs he did & many greats did his songs but I only knew him by this one,
saw him perform it & he & Johnny worked the same stage & did
something together at the end, holding arms around each other’s shoulders. My gal pal & I were impressed. {Ginger saw my shindig with James Brown also
& was taken with me on his plane to
From Wikipedia {Not the entire article}:
Larry Williams (born Lawrence Eugene Williams,
a.k.a. Lawrence Edward Williams;
was an
American rhythm and blues and rock and roll singer, songwriter,
producer, and pianist from
Williams' life mixed tremendous success with violence and drug
addiction. He was a longtime friend of Little Richard, with whom his life intertwined
personally and professionally from their meeting in 1955 to Williams' death in
1980.[3
Williams returned to
In 1957, Little Richard was Specialty's biggest star, but he
left rock and roll to pursue the ministry.
Williams quickly was groomed by Blackwell to try to replicate his success.
Using the same raw, shouting vocals and piano-driven intensity, Williams scored
with a number of hit singles.[1][6]
Williams' three biggest successes were "Short Fat Fannie", which was his
bestseller, reaching No. 5 in Billboard's pop chart, "Bony Moronie", which peaked at No. 14,
and its flip "You Bug Me Baby" which made it to No. 45. "Short
Fat Fannie" and "Bony Moronie" each sold over one million
copies.[7]
After 1957, Williams did not have much success selling records.
He recorded a number of songs in 1958 and 1959, including "Dizzy, Miss Lizzy," which charted at No.
69 on Billboard's Pop chart in 1958. "Heebie Jeebies" was
recorded with band members such as Plas Johnson on tenor saxophone and Jewel
Grant on baritone, René Hall and Howard Roberts on guitars, Gerald Wilson on trumpet, Ernie Freeman or Williams himself on
piano, and Earl Palmer on
drums. After he was arrested for possession of narcotics and guns in 1959, he was
dropped from Specialty.[8][9] He recorded for Chess Records
but no hits were produced. Williams then served a three-year jail term, setting
back his career considerably.[1]
Williams made a comeback in the mid-1960s with a funky soul band
that included Johnny
"Guitar" Watson, which paired him musically with Little
Richard who had been lured back into secular music. He produced two of Little
Richard's albums for Okeh Records in
1966 and 1967, which returned Little Richard to the Billboard album
chart for the first time in 10 years and spawned the hit single "Poor
Dog".[10] He also acted as the music
director for Little Richard's live performances at the Okeh Club. Bookings for
Little Richard during this period skyrocketed.[10] Williams also recorded and
released material of his own and with Watson, with some moderate chart success.
"Too Late", the B-side of 1967 single "Two For The Price Of
One" became one of the biggest songs on the Northern Soul scene in
Williams also began acting in the 1960s, appearing on film
in Just for the Hell
of It (1968), The Klansman (1974), and Drum (1976).[11]
In the
1970s, he briefly was involved with disco music.
Williams' lifestyle involved recreational drug use and abuse
which resulted in trouble with the law.[8] By the middle of the 1970s, the
drug abuse and violence were taking their toll. In 1977, Williams threatened
Little Richard over a drug debt with a gun. However, he showed compassion for
his longtime friend after Little Richard repaid the debt.[12] This, with other factors, led
to Little Richard's return to born again
Christianity and the ministry.[9]
Williams was married to Ina Marie Williams, although they were
eventually estranged.[13]
On
Ginger & I lived together, danced in the same go-go bars
& clubs & sometimes stepped out for entertainment. We went to see these two guys one night &
hooked up with them. I picked the
handsomer one, Larry, & she got ‘second dibbs’ with Johnny but as usual,
the handsomest one is the ugliest inside, & I envied her for picking
Johnny.
They were proud of their fancy houses & each demonstrated the
round vibrating beds. Ginger spent the
night with Johnny, I with Larry - & I know I saw him again but can’t recall
details. All I know is he would not give
me his phone but in those days they had the number written right on the
phone. I looked at it & memorized it
& wrote it down later. He was
dumbfounded when I called & harassed me until I gave up how. Next time I noticed the number was taken off
the phone. Obviously he was married, his
wife lived with him & was working when he banged me. Maybe she was in the adult trade as it
mentions that on his Wikipedia – when we saw them it was night, so she was
working a night shift.
One day I called
to get a date & he rejected me in a cruel way – can’t recall what he said,
but it hurt. I connived how to get even
with him. I decided to pretend I was a
girl Larry banged who got pregnant, now wanted money for an abortion. I knew I sounded white so I convinced my
roommate to make the call – to get the wife & tell her the phony story,
& we laughed our heads off. She got
hysterical & screamed,’
“You ain’t nothin’ but a hoe he got some scanky cock off &
didn’t want no moe!”
{Black people in those days, in that area called women’s
vagina’s ‘cocks’ – I don’t know why.}
Here is the weird, maybe funny punch line of the last time I saw
Larry.
There was a fancy club right on Sunset Blvd. called the ‘Whiskey
a Go Go’ – Many famous people performed there, including I think Otis
Redding. It wasn’t a big place but I
guess they charged a good buck at the door so made some bread.
Anyway, there was a black female singer performing there one
night – wish I could recall her name but she was more of an ‘insider’s star’; a
person with great talent that was not real famous but big reputation among
those who understood music. I went
there, not sure why, just to be out maybe.
So I pay my way at the door & around the stage there are
seats, maybe VIP seats. The manager
tells me,
“I’m sorry we have no more tables or seats but there is just ONE
seat left, at the stage,”
And he took me there & seated me next to LARRY
WILLIAMS. The manager thought Larry
would be pleased that he got such a beautiful woman next to him, but of course
ugly Larry gave me the most hateful stare.
Lol. It does not make me
sad to know how his life ended at age 44, a bullet in his head. He was too evil to commit suicide, it was
probably drug related as many suspect. I
hope he repented or else is in a tropical dystopia.
After writing this I went outside to get sun & exercise on
my lawn by the woods {It was 60 degrees F on Dec 16 – Global warming!}. Figured
I’d channel Larry & also Johnny.
Here goes:
ME: Where are you Larry,
Heaven, Hell or Purgatory?
LW {Larry Williams}: I’m
in No Man’s Land
ME: Are you satisfied
with what you did in life?
LW: I lived, died, it was
enough. Did what I had to do. Didn’t commit any major sins. It could have been better or worse. It was alright.
ME: I turn to Johnny
‘Guitar’Watson, his good buddy, & ask him {I feel more comfortable with
talking to him than Larry, his energy is higher.} What does Larry mean, ‘No Man’s Land?’ Is he in Hell or Purgatory?
JGW {Johnny Guitar Watson}:
He’s in some sort of Purgatory.
ME: How about you, where
are you?
JGW: I’m in a good place
because I loved the Lord – Larry didn’t.
Larry was hurting from what was done to him as a black man. He couldn’t forgive. He was angry & bitter, hated white
people. That’s why he was cruel to you. I knew the Lord, He taught me not to be
revengeful, to forgive. I followed him.
ME: OK thanks. This is about Johnny from Wikipedia, my
account of him will follow – This is not the entire article:
John Watson Jr. (February 3, 1935 – May 17, 1996),
known professionally as “Johnny Guitar” Watson,
was an American musician and singer-songwriter.[4] A flamboyant showman and
electric guitarist in the style of T-Bone Walker, his recording career spanned
forty years, and encompassed rhythm and blues,[1][2] funk and soul music.
Watson recorded throughout the 1950s and 1960s with some
success. His creative reinvention in the 1970s with funk overtones, saw Watson
have hits with "Ain't That a Bitch" and "Superman Lover".
His highest charting single was 1977's "A Real Mother for Ya".[5]
Watson was born in Houston,
His
grandfather, a preacher, was also musical. "My grandfather used to sing
while he'd play guitar in church, man," Watson reflected many years later.
When Johnny was 11, his grandfather offered to give him a guitar if, and only
if, the boy didn't play any of the "devil's music".[3] His parents separated in 1950,
when he was 15. His mother moved to Los Angeles, and took Watson with her.
He toured and recorded with his friend Larry Williams, as well as Little
Richard, Don
and Dewey, The Olympics, Johnny
Otis and, in the
mid-1970s with David Axelrod.[3] In
1975 he was a guest performer on two tracks (flambe vocals on the out-choruses
of "San Ber'dino" and "Andy") on the Frank
Zappa album One Size Fits All.[12] He
also played with Herb Alpert and George
Duke. But as the
popularity of blues declined and the era of soul
music dawned in
the 1960s, Watson transformed himself from southern blues singer with pompadour into urban soul singer in a pimp hat. His new style was emphatic –
wearing the gold teeth, broad-brimmed hats, flashy suits, fashionable outsized
sunglasses and ostentatious jewelry.
The shooting death of his friend Larry Williams in 1980 and other personal setbacks led to Watson
briefly withdrawing from the spotlight in the 1980s. "I got caught up with
the wrong people doing the wrong things", he was quoted as saying by The New York Times.[15]
Below, Johnny Guitar Watson in 1977 - I saw him in 1968
Jimmie Vaughan,
brother of Stevie Ray Vaughan,
is quoted as saying: "When my brother Stevie and I were growing up
in Dallas, we idolized very few guitarists. We
were highly selective and highly critical. Johnny 'Guitar' Watson was at the
top of the list, along with Freddie, Albert and B.B. King. Watson influenced Jimi Hendrix, Sly Stone, Etta James, and Stevie Ray Vaughan.[19]
Bobby Womack said:
"Music-wise, he (Watson) was the most dangerous gunslinger out there, even
when others made a lot of noise in the charts ~ I'm thinking of Sly Stone or George
Clinton".
Etta James stated,
in an interview at the 2006 Rochester
International Jazz Festival: "Johnny 'Guitar' Watson... Just
one of my favorite singers of all time. I first met him when we were both on
the road with Johnny Otis in
the '50s, when I was a teenager. We traveled the country in a car together so I
would hear him sing every night. His singing style was the one I took on when I
was 17 – people used to call me the female Johnny 'Guitar' Watson and him the
male Etta James... He knew what the blues was all about...".
James is also quoted as saying: "I got everything from
Johnny... He was my main model... My whole ballad style comes from my imitating
Johnny's style... He was the baddest and the best... Johnny Guitar Watson was
not just a guitarist: the man was a master musician. He could call out charts;
he could write a beautiful melody or a nasty groove at the drop of a hat; he
could lay on the harmonies and he could come up with a whole sound." Pearl Jam recorded a song entitled
"Johnny Guitar", about Watson, for their 2009 album Backspacer.
Watson's
1976 song "Superman Lover" features on the soundtrack of the video
game Grand Theft Auto V.
Watson died of a heart attack on
OK as I explained Larry Williams &
I fell apart & somehow I connected to Johnny – can’t recall how. So we had a date in my King-size bed at
He was a nice man, a gentleman, just
normal, not evil & mean like Larry.
Nothing happened after that – we were both busy with divergent careers
& went our ways. I don’t think he
saw my friend Ginger again, either. {End
Chapter 3}
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This one came out excellent as usual, Rasa. Very interesting story. I had heard of Larry William, particularly in reference to the songs of his that The Beatles covered such as "Slow Down", but I did not know any details about him or that he had such a mean streak. I think I may have heard of Johnny "Guitar" Watson before. Very good article overall, with great artwork and of course plenty of fuzzies as well. I will be sure to share it as well.
ReplyDeleteBest wishes and keep up the great work,
Ajax
I'm surprized you know of them, it proves you know rock & soul music. Thanks for being here Ajax.
ReplyDeleteYou're very welcome, Rasa. I do enjoy both newer music as well as various classic rock and soul.
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